The extreme panoramic format of the Linhof Technorama reflects the sense of space and depth. The camera produces an image that is far beyond normal visualisation. Shooting with the Technorama 617 means: seeing more– showing more. Impressive panoramic scenes but also creative vertical sights of surprising dimensions. The extreme format with its dramatic 3:1 aspect ratio guarantees extremely high rendition which can normally only be achieved with a 5 x 7 in. Large format view camera. The Technorama is a hand-held rollfilm camera with a picture format of 6x17cm combining three 6x6 images in one shot.

This equipment can still be used when big large format view cameras cannot making it the ideal choice whether you are on the highest mountains, the hottest deserts or simply in ordinary urban shooting situations. The Technorama 617s III is a system camera: Presently five interchangeable Schneider lenses with integrated helical focusing mounts are available. From the extreme wide angle 72 mm up to longer focal lengths of 250mm. The rugged light alloy die-cast body is extremely stable offering optimum film flatness for conventional high resolution rollfilm 120 (4 frames) or rollfilm 220 (8 frames).

Dec 27, 2007 I am looking to buy a Linhof Technorama 612 PC. I was hoping that someone would be able to tell me what lenses were made at various points for the. Panoramic Cameras: Specializing in Panoramic Cameras: Art Panorama 170, Linhof 617 S-III, V-Pan, Cirkut #10, Noblex, Widelux, Fuji GX 617, Linhof 612PC, Hasselblad X.

The earth we are living on is seen in an aspect ratio of 2:1. The Cinemascope format of the Linhof Technorama 612 corresponds to this field of vision. The large rollfilm format of 6x12cm is particularly well suited for architectural, industrial, landscape, urban and conceptional photography. Supreme picture quality with a hand held camera allowing the photographer to capture life as it happens.

The Technorama 612 pc II is a system camera. It offers now 5 interchangeable high performance Schneider lenses starting from extreme wide angle 58 mm to the longer focal length of 180mm. The built-in dark slide system allows lens change without the loss of film material. The extremely robust all metal construction of the camera body makes the T 612 pc II the perfect reliable camera for high end photography even in demanding off road situations. The tight tolerance of the film plane for rollfilm 120 for 6 frames or film 220 for 12 exposures ensures the ultimate quality from this format.

All of the pictures have been helpful. Right now, my quandary is between a Linhof with a 58 and a Horseman 612 with a 45. - The Linhof is wider but flatter - The Horseman is fatter but narrower (because the spools are behind the film plane) The film path is obviously a question; I would have to imagine that the Linhof holds film flatter (because it's a straight path), but against that, the Horseman can interchange magazines and formats.

Linhof Instruction Manuals - The all-metal Technorama series of cameras feature camera bodies with extremely rid backs and tht tolerances, to ensure. LINHOF TECHNORAMA 612 - Linhof the cameras for 'hand-held, large-format photography' but the fact that these cameras do not offer any focusing aids. Buy Linhof Technorama 612 PC II Body Review Linhof Medium Format Cameras, Film Cameras.

Frozenintime, how did you attach a filter to the viewfinder? Windows Xp Professional Sp3 Iso Download Deutsch Film. Also, why yellow? At what point, though, do you decide to crop?

A full-size '6x9' (at 56x84mm) can be cropped to 42x84mm and with the right camera/lens, the quality can be excellent. I've also used a Horseman 6x12 back (which I still have) on an MPP Mk.

VII (which I don't). The trouble with 6x12 and worse still 6x17 -- and I've used at least two examples of both, Linhof and A.N. Other in both cases -- is that the film gets used up very quickly. And I keep idly fantasizing about a simple spacer: a 4x5 inch back (to take the Horseman) on one side and an Alpa lens panel on the other.